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Bocci - Lyke Wake - Oberto - COSMONAUTI - Album Teaser

 Bocci/Lyke Wake/Oberto "Cosmonauti" - Album Teaser

 

BOCCI - LYKE WAKE - OBERTO - Cosmonauti 

Ero Solo Un Cane - 2025


 

BOCCI - LYKE WAKE - OBERTO - Cosmonauti 

Passeggia Libero - 2025


BOCCI - LYKE WAKE - OBERTO - Cosmonauti 

L'ultimo volo - 2025



Bocci - Lyke Wake - Oberto - COSMONAUTI

 

 

Cosmonauti

by C.Bocci - Lyke Wake - J.C. Oberto

https://cristianobocci.bandcamp.com/album/cosmonauti

Digital Album

Streaming + Download

Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

Download available in 24-bit/44.1kHz.

Compact Disc (CD) + Digital Album

Comes in a transparent jewel case with 12 pages booklet

Includes unlimited streaming of Cosmonauti via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

Download available in 24-bit/44.1kHz.

ships out within 5 days

1. Il Cielo Visto da quaggiù 08:25

2. Carillon Sovietico Spaziale: Sputnik 03:11

3. Ero Solo un Cane 04:51

4. Carillon Sovietico Spaziale: Vostok 03:32

5. Motocross per Jurij Gagarin 04:54

6. In Ascolto da Torino (SOS a Tutto il Mondo) 03:15

7. Carillon Sovietico Spaziale: Voschod 03:36

8. Passeggia Libero 10:11

9. L'Ultimo Volo 09:38

10. Carillon Sovietico Spaziale: Sojuz 04:13

11. La Terra Vista da Quassù 10:31

about

From an idea by Cristiano Bocci, Cosmonauti was composed, played and recorded by

Cristiano Bocci: electric basses, electronics

Lyke Wake: synthesizers

Jean-Claude Oberto: lyrics, vocals



Mixing and Mastering by Cristiano Bocci at Small Circle Studio

CD Artwork by Cristiano Bocci


The images are taken from

Karl Schütte, “Die Transformation beliebiger spärischer Koordinaten-systeme mit einer einzigen immerwährenden Hilfstafel”, veröffentlichungen der Sternwarte München, 1942.

Karl Schütte, “Il futuro è nello spazio”, Mondadori, 1959.


We want to express heartfelt thanks to Giacomo Elettrodo and his program "Prove Tecniche di Trasmissione" because it is the context that brought us together and, in parallel, also to Bruno Cossano and his "Plancton" which in some way cemented our aggregation and comparison.


ENG: Specific aspects of this collaboration have been the aesthetic suggestion inspired by Soviet cosmonautics (up to 1991) and the historical impact it has had on the imagination of Western Europe, where we live and work. Therefore, we did not intend to make any reference or take a position regarding the dramatic current events or the developments of contemporary geopolitical dynamics. Sound and verbal experimentation as tools of existential expression. The discomfort of those who find themselves in a world that is not theirs, knowing that one's own does not exist.


ITA: Oggetti specifici di questa collaborazione sono stati la suggestione estetica scaturita dalla cosmonautica sovietica (quindi fino al 1991) e l'impatto che ne è storicamente ricaduto anche sull'immaginario dell'Europa occidentale, in cui noi viviamo e lavoriamo. Non abbiamo pertanto inteso esprimere né alcun riferimento né tantomeno una presa di posizione rispetto alla drammatica attualità e agli sviluppi degli equilibri geopolitici contemporanei. Sperimentazione sonora e verbale come strumenti d'espressione esistenziale. Il disagio di chi si trova in un mondo non suo, sapendo che il proprio non esiste.



Il Cielo Visto da Quaggiù (Progenie di un Falegname) [The Sky Seen from Down Here (A Carpenter's Offspring)] - The Soviet Union held supremacy in the space race for over a decade, with records achieved between 1957 and 1963 including the first artificial Earth satellite, the first photo of the hidden side of the Moon, the first living being, the first man and finally the first woman in space. The propaganda machine rode the wave of the so-called cosmic enthusiasm for several years, after the dark years of Stalinism, producing countless posters, photographs and films that left their mark on the collective imagination of those who lived through the years of thaw and change. The reaction of the Soviet people to the first steps into space was genuinely enthusiastic. Books, films and songs with a "cosmonautical" theme multiplied. Engineers of the Soviet space agency became heroes of the fatherland. Children and adolescents were the first to experience the extraordinary fascination of that new and mysterious world.



Carillon Sovietico Spaziale [Soviet Space Music Box] - The space program developed by the Soviet Union during the Cold War was one of the most advanced and ambitious in history. It officially began in the 1950s under the direction of the brilliant engineer Sergei Korolëv and included four different programs:

1. Sputnik (1957-1958): it was the first Soviet space program, famous for having launched Sputnik 1 on October 4, 1957, the first artificial satellite in history. This event marked the beginning of the space age and the space race between the USA and the USSR. Sputnik 2 followed shortly after, carrying Laika, while Sputnik 3 was an orbital laboratory for the study of the ionosphere and cosmic radiation.

2. Vostok (1960-1963): Designed to take humans into space, culminating in the flight of Yuri Gagarin on April 12, 1961, the first human to orbit the Earth. Subsequent flights, Vostok 2-6, refined orbital flight techniques, with Valentina Tereškova becoming the first woman in space aboard Vostok 6.

3. Voschod (1964-1965): successor to Vostok, the Voschod program carried out more complex missions, including Alexei Leonov's first spacewalk in 1965, and the first mission with multiple astronauts on board.

4. Soyuz (1967-present): Soyuz was designed as an advanced successor to Vostok and Voschod. The first version, Soyuz 1, met with a fatal failure, but subsequent launches, such as Soyuz 3-11, demonstrated the robustness of the structural design. Soyuz capsules became essential for transporting crews to space stations such as Salyut, Mir, and today the International Space Station.



Ero Solo un Cane [I Was Just a Dog] - Laika, a stray dog found on the streets of Moscow, became famous as the first living being to orbit the Earth. On November 3, 1957, she was launched aboard Sputnik 2 during one of the first Soviet space missions. Selected for her endurance and adaptability, Laika was trained to withstand the extreme conditions of space flight. The Sputnik 2 capsule was equipped for life support, but did not provide for reentry, so Laika's fate was sealed from the start of the mission. The capsule was also equipped with sensors to monitor her vital signs. In October 2002, the results of a new research by Dmitrij Malashenkov were made public: they revealed that Laika survived only for a period of between 5 and 7 hours after takeoff, due to temperature changes. According to a 1998 interview, Oleg Gazenko, head of the mission, expressed regret over the animal's death, believing that launching Laika would have been a useless sacrifice.



Motocross per Jurij Gagarin [Motocross for Yuri Gagarin] - The passion for motocross in the Soviet Union was one of the many expressions of the enthusiasm for sport and technology that permeated Soviet society during the Cold War. In a context where ideology promoted the cult of physical strength and competition, motocross quickly became popular, especially among young people. Motocross races also reflected national pride in the country's technological and sporting achievements. A distinctive aspect of Soviet motorcycling culture was the dedication of some races to national heroes, including Yuri Gagarin, the first man in space, who became a symbol of progress and victory and whose name was associated with numerous sporting events, including motocross. The races named after Gagarin not only celebrated the cosmonaut's success, but also the ideal of a bold people, ready to overcome any limit. This link between sport and ideology embodied the spirit of the era, where every activity, including sport, was seen as a form of contribution to collective progress and national glory.



In Ascolto da Torino (SOS a Tutto il Mondo) [Listening from Turin (SOS to the Whole World)] - Achille and Giovanni Battista Judica Cordiglia, two brothers from Turin, became prominent figures in the history of space telecommunications thanks to their passion for radio and space exploration. In the 1960s, the two young pioneers, self-taught and driven by an insatiable curiosity, transformed their home studio, on Via Accademia Albertina in Turin, into an amateur radio listening station. From there, they began to pick up signals from space, quickly becoming famous for their alleged recordings of space missions, especially Soviet ones, many of which were not officially recognized. Their work further developed with the construction of the “Torre Bert”, an abandoned structure outside Turin, transformed into a radio observatory where, with equipment of their own construction, they claimed to have intercepted communications of Soviet cosmonauts in dramatic situations. Among the most controversial, there is the recording of a female cosmonaut who seemed to die during a failed reentry. Although their claims have raised doubts and criticisms, especially for the lack of official confirmation, the Judica Cordiglia brothers represent a fascinating chapter in the history of space exploration. Their story testifies to the incredible potential of individual passion and amateur technology, capable of challenging the boundaries of knowledge and interacting with the great events of their time.



Passeggia Libero [He Walks Freely] - Alexei Leonov was a Soviet cosmonaut known for being the first man to perform a spacewalk. On March 18, 1965, during the Voshod 2 mission, Leonov exited the spacecraft for a walk of about 12 minutes, remaining attached to a safety cable. However, his reentry was complicated: the spacesuit had inflated, making it difficult to return to the module. Despite the difficulties, Leonov managed to re-enter and the mission was completed successfully. His feat marked a milestone in the history of space exploration.



L’Ultimo Volo [The Last Flight] - The last flight of Yuri Gagarin, the first man in space, marked a tragic chapter in the history of Soviet space exploration. On March 27, 1968, Gagarin died during a training flight aboard a MiG-15UTI fighter, less than seven years after his historic spaceflight. The crash occurred near the village of Novoselovo, about 100 kilometers from Moscow, leaving the world in mourning for the loss of a hero who embodied the scientific progress of the era.

Gagarin, after his spaceflight in 1961, had become an iconic figure not only in the Soviet Union but globally, so the Soviet government limited his subsequent space missions to preserve his unmatched symbolic importance. Despite this, Gagarin remained active as a pilot, dedicating himself to flying, one of his greatest passions.

The exact cause of the accident remained shrouded in mystery for a long time, with various theories ranging from human error to adverse weather conditions.

Gagarin's final flight not only ended the life of a space pioneer, but also marked the end of an era of heroic exploration, leaving a void in the collective Soviet and world consciousness. The Soviet Union erected numerous monuments in memory of Gagarin, one of the most significant being the titanium and granite statue in Moscow. This sober and imposing statue depicts Gagarin in a solemn pose, gazing up at the sky he had first explored.



La Terra Vista da Quassù [The Earth Seen from Up Here] - We end our journey with a final note on the logbook, which unites past and present, memory and vision. From sound fragments that intertwine like echoes of an interior and exterior journey, the cosmonaut emerges as a witness to a humanity observed from the distance of space, where the planet appears undivided, pure and immersed in a blue silence. Poised between Icarus and Prometheus, the cosmonaut becomes a universal voice: from the sidereal distance, he invites us to rethink the meaning of progress, unity and fragility. An act of gratitude for the gift of knowledge, but also a warning to a humanity that risks consuming itself in its own fires. 

credits

released March 5, 2025


Jean​-​Claude Oberto - Silente mi desta ed assordante m'assopisce (Artists for Dj Elettrodo - Tribute to a Radio Legend)

 

Jean​-​Claude Oberto - Silente mi desta ed assordante m'assopisce
from Tribute to a Radio Legend by Artists for Dj Elettrodo

Artists for Dj Elettrodo - Tribute to a Radio Legend

https://artistsfordjelettrodo.bandcamp.com/album/tribute-to-a-radio-legend

Streaming + Download

Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

 

1.      Marcho Gronge - Elettrodo 03:31

2.       Loo(p)cy - The Power of Sound 03:57    

3.       Fade2Grace - Marconista elettronico 02:32

4.       Black/Lava - Венера 04:24

5.       Filippo Panichi - 𝛇𝝥∅ 𝝣⦛❍ ဈဏ A75ᶜ ၏ 05:11

6.       Cordis Cincti Serpente (con Sara Ballini) - Colney Hatch 02:37

7.       Enkil - Mbeubeuss 03:24

8.       Alpha Privativa - Iota 01:12

9.       Wuornos Aileen & Sara K.O. Fontana - Passacaglia della vita 05:48

10.   bÖsch - Whalebones 07:25

11.   Luca Giuoco - CROSSE 1837 03:08

12.   Noise Cluster & Lyke Wake - ELECTROAPOCALYPSE 04:15

13.   Mario Lino Stancati - Per ogni pietra 04:12

14.   Medico della Peste & Loo(p)cy - Elettrodo stradale 04:02

15.   Chemical Resistance - Boma 04:13

16.   Daniele Ciullini - The future has fire in its eyes 03:32

17.   Michael Bonaventure - OGRAL 08:47

18.   Panico Da Palcoscenico & Sara K.O. Fontana - Lesbian Summer Rain 03:40

19.   Lyke Wake - The wrong side 04:24

20.   ODRZ - ODRZ85 06:38

21.   Noise Cluster, STIGMATE & Cristiano Bocci - Schlaflied der Zuhörer (ninnananna degli ascoltatori) 05:21

22.   Paolo Virdis - Survive club mix electrodo 04:36

23.   Jean-Claude Oberto - Silente mi desta ed assordante m'assopisce 02:08

24.   Materiali di Categoria 1 - Leviatani di feti abortiti in assetto di marcia 02:13

25.   Gianluca Becuzzi - American Ghosts Part II 08:32

26.   Cristiano Bocci - Di ferro e di rumore 04:10

27.   Maja Maiore & Loo(p)cy - Cantami, O Musa! 02:35

28.   Testing Vault - Go For Broke 07:50

29.   STIGMATE - Horror vacui 07:13

30.   Sonologyst - Short piece for hairdryers and insects 03:00

31.   Loo(p)cy & Noise Cluster - Crossing Winter’s doors 04:09

32.   Cupio Dissolvi - Aurora cocleare 06:00

33.   progettosonoro - Cosmic Disorder (Io ne ho udite di cose che voi umani...) 03:33

34.   Cristiano Bocci, Mara Lepore & Smiltzo - Laurogeigarren aro berria 04:07

35.   Nàresh Ran - URBEXXX IX 06:31

36.   Michael Bonaventure & Loo(p)cy - The Shadower 04:02

37.   Sokushinbutsu Project - Di(re)zioni 06:29

38.   Omicidio - Epilepsy Treatment Guidelines 05:37

39.   Bruno Cossano feat. Markoni - UnFaith 06:27

40.   M.D.M.A. feat. The Crippler - Desolate Landscapes 03:44

41.   Marcho Gronge, STIGMATE & Xayde - Una Sincera ipocrisia 03:03

                     

about

[ENGLISH BELOW]

 

Caro ascoltatore,

Benvenuto in questo viaggio musicale unico, una celebrazione dell'influenza straordinaria di Dj Elettrodo e, nello specifico, della sua trasmissione radiofonica "Prove Tecniche di Trasmissione".

Con questa compilation ci immergiamo nell'universo sonoro di artisti che hanno avuto l'onore di passare attraverso le sue abili mani e orecchie attente.

 

Dj Elettrodo, un'icona della scena musicale romana, non è solo un DJ straordinario ma un cultore appassionato di nuove sonorità. Storico conduttore delle trasmissioni "Prove Tecniche di Trasmissione" e "Disorder" su Radio Onda Rossa, dal 1992 ci intrattiene con selezioni sempre stimolanti e all'avanguardia nel panorama elettronico, goth, industrial e noise rendendo le sue trasmissioni non solo pietre miliari nella scena radiofonica alternativa ma anche un faro per gli ascoltatori e casa per artisti underground internazionali e, con particolare riguardo, italiani.

 

Ogni traccia di questa compilation racconta una storia, è una testimonianza della diversità e della ricchezza della scena musicale che Dj Elettrodo contribuisce a diffondere.

Gli artisti che hanno unito le loro forze in questo lavoro sono inoltre una dimostrazione di come Elettrodo sia sempre stato anche uno stimolo alla collaborazione e allo sviluppo di amicizie.

 

Questa compilation è il nostro omaggio a lui, un tributo al suo lavoro straordinario e alla sua dedizione. Desideriamo ringraziarlo per l'impegno instancabile nel supportare la musica indipendente fornendo una piattaforma a tanti artisti.

 

Radio Onda Rossa, fin dalla sua nascita nel 1977, per restare libera e indipendente rifiuta soldi per mandare in onda pubblicità e comunicati, sostenendosi solo con campagne di crowdfunding e serate a sottoscrizione. Chi lavora, collabora e trasmette dagli 87.9, in streaming e in DAB non percepisce alcun compenso ma contribuisce con la propria militanza alla sopravvivenza di questa radio che "dà voce a chi non ha voce". Vogliamo che viva e trasmetta ancora molto a lungo.

Tutti i ricavati di questa compilation verranno pertanto devoluti a Radio Onda Rossa.

 

Per ascoltare le trasmissioni di Dj Elettrodo: www.ondarossa.info

 

Idea e Coordinamento: Cristiano Bocci

Foto di copertina: Marcho Gronge

Mastering: Cristiano Bocci presso lo Small Circle Studio

Partecipazione di Melania Bote in Lesbian Summer Rain

American Ghosts Part II contiene sample di Sarah Davachi.

 

Un sentito ringraziamento a Lucia Caiazza (Loo(p)cy), Maja Maiore, Michael Bonaventure, Arianna Degni Lombardo, Fabio Masseti, Marcho Gronge, Luca Giuoco, Sara K.O. Fontana e Mafio 73 per il prezioso aiuto.

 

Dear listener,

Welcome to this unique musical journey, a celebration of the extraordinary influence of Dj Elettrodo and, specifically, of his radio program “Prove Tecniche di Trasmissione". With this compilation we immerse ourselves in the sound universe of artists who have had the honour of passing through his skilled hands and attentive ears.

 

Dj Elettrodo, an icon of the Roman music scene, is not only an extraordinary DJ but a passionate lover of new sounds. Historic host of the programs "Prove Tecniche di Trasmissione" and "Disorder" on Radio Onda Rossa, since 1992 he has entertained us with ever stimulating and cutting-edge selections in the electronic, gothic, industrial and noise panorama, making his programs not only milestones in the alternative radio scene but also a beacon for listeners and a home for international and, with particular emphasis, Italian underground artists.

 

Each track in this compilation tells a story; it is a testimony to the diversity and richness of the music scene that Dj Elettrodo helps to spread. The artists who have joined forces in this work are a fine example of how Elettrodo has always also been an instigator of collaboration and inspired the development of friendships.

 

This compilation is our homage to him, a tribute to his extraordinary work and dedication. We would like to thank him for his tireless commitment to supporting independent music by providing a platform for so many artists.

 

Radio Onda Rossa, since its birth in 1977, in order to remain free and independent, refuses money to broadcast advertising and press releases, supporting itself only with crowdfunding campaigns and subscription evenings. Those who work, collaborate and broadcast from 87.9 in streaming and on DAB do not receive any compensation but contribute with their sheer commitment to the survival of this radio station which "gives a voice to those who have no voice". We want it to live and to continue transmitting for a very long time to come.

All proceeds from this compilation will therefore be donated to Radio Onda Rossa.

 

To listen to DJ Elettrodo's broadcasts: www.ondarossa.info

 

Idea and Coordination: Cristiano Bocci

Cover photo: Marcho Gronge

Mastering: Cristiano Bocci at Small Circle Studio

Participation of Melania Bote in Lesbian Summer Rain

American Ghosts Part II contains samples from Sarah Davachi.

 

Heartfelt thanks to Lucia Caiazza (Loo(p)cy), Maja Maiore, Michael Bonaventure, Arianna Degni Lombardo, Fabio Masseti, Marcho Gronge, Luca Giuoco, Sara K.O. Fontana and Mafio 73 for their precious help.

credits

released March 14, 2024

 

Frammenti poetici di Jean-Claude Oberto negli interstizi di stimati musicisti

Ascolta la playlist Frammenti poetici di Jean-Claude Oberto negli interstizi di stimati musicisti 
di Jean-Claude Oberto su #SoundCloud

Un ringraziamento particolare a Riccardo Mazza per aver accolto, a più riprese, i miei frammenti poetici nelle sue incommensurabili sperimentazioni. 

E COSÌ SIA

 
 
"E COSÌ SIA": un estemporaneo recupero di antiche sperimentazioni, candidamente "lo-fi": nastri, radiofrequenze e un breve testo poetico - come mantra - nella Torino di metà anni Novanta. L’attesa della fine - del secolo e del millennio - in poco più di otto minuti di rumore, frammisto giusto a qualche parola, negli interstizi delle onde sonore. In ultimo, un omaggio sentito ai primissimi lavori, rigorosamente su cassetta, dell’eporediese Bruno Cossano.

SUDADIOGIUDABESTIA - RADIO PODEROSA

NON TUTTI I MAESTRI VENGONO PER NUOCERE 
 
Jean-Claude Oberto si racconta in un podcast pensato e prodotto da Stefano Giaccone...
 
 
                    podcast-OBERTO

t_e_x_t_u_s


daniele de giorgis jean-claude oberto



TEXTUS
Daniele De Giorgis e Jean-Claude Oberto
Hôtel des États
P.zza Chanoux - Aosta
27 Marzo 2009 - 5 Luglio 2009
martedì - domenica dalle 9.30 alle 12.30 e dalle 14.30 alle 18.30
lunedì chiuso
Ingresso gratuito

L'Assessore all'Istruzione e Cultura, Laurent Viérin, ha inaugurato giovedì 26 marzo 2009, alle ore 18.00, presso la sala espositiva Hôtel des Etats ad Aosta, l'esposizione Textus degli artisti valdostani Daniele De Giorgis e Jean-Claude Oberto.

L’iniziativa è il frutto della collaborazione tra i due artisti, che hanno lavorato insieme nel 2002 alla mostra Traversine, presentata alla Torre del Lebbroso di Aosta, e continuano a confrontarsi su temi artistici. Con questa esposizione i due autori propongono al pubblico una riflessione sul significato della parola “textus”, che può indicare sia il manufatto tessile sia il testo scritto. Essi presentano una serie di manufatti tessili in juta, utilizzati in ambito agricolo per raccogliere il fieno, rielaborandoli con il ricamo di brani poetici composti espressamente da Jean-Claude Oberto. L’esposizione è completata da un video artistico, che propone immagini riguardanti la gestualità del ricamo.

“Attraverso questa iniziativa - sottolinea l’Assessore Laurent Viérin - l’Assessorato intende proseguire nell’attività di valorizzazione degli artisti contemporanei che vivono e operano nella nostra regione. Sono particolarmente lieto, inoltre, di constatare che partendo da oggetti semplici, di uso comune in ambito agricolo, si sia ottenuto un risultato di grande modernità, a dimostrazione che, anche in campo artistico, è possibile raggiungere un’armonica convivenza tra tradizione ed innovazione”.

La rassegna, realizzata dal Servizio attività espositive dell’Assessorato Istruzione e Cultura, è curata dalla critica d’arte contemporanea Maria Teresa Roberto, ed è accompagnata da un catalogo bilingue edito da Musumeci, in vendita al prezzo di Euro 12,00.

All’inaugurazione De Giorgis e Oberto hanno tenuto un reading di poesia integrato alla performance musicale di Salvatore Livecchi e Federico Puppi, musicisti che hanno realizzato anche la sonorizzazione della mostra.

Dell'importanza di chiamarsi Norberto


Omaggio a Norberto Bobbio
Dell'importanza di chiamarsi Norberto
regia e adattamento drammaturgico di Gian Luca Rossi

con Virgilio Biei, Alessio Esposito,
Gian Luca Rossi, Jean-Claude Oberto

musiche di Beppe Barbera (piano)
e Morena Avenoso (voce)

coordinamento di Margherita Sergi

Domenica 2 agosto 2009
21.30, Espace Montagne, Valtournenche (Ao)

AFTER FESTIVAL
XII CERVINOCINEMOUNTAIN
Festival internazionale del cinema di montagna
Breuil-Cervinia e Valtournenche
dal 24 luglio al 2 agosto 2009

mon âme - mon crâne


vis-à-vis


bric-à-brac

cas limites

de-ci de-là

. . .

faute de mieux

la routine

. . .


dalla raccolta mon âme - mon crâne
per INSIDE di Enrico Tommaso De Paris
ATOMIUM, Bruxelles, 2007

referti poetici


referti poetici

per CHROMOSOMA di Enrico Tommaso De Paris
progetto nell'ambito della 51^Biennale di Venezia
Spazio Thetis, Venezia, 2005 

Frame dal video # 001 di Luca Bich, con Enrico Tommaso De Paris e Jean-Claude Oberto.

Archivi d'anima


Archivi d'Anima, raccolta di frammenti poetici

in TRAversiNE
Daniele De Giorgis + Jean-Claude Oberto
a cura di Maria Teresa Roberto
 
dal 22 febbraio al 19 aprile 2002
Torre del Lebbroso, Aosta

Cabinet Aux Merveilles
progetto espositivo di Antonella Crippa
Regione Autonoma Valle d'Aosta
Assessorato dell'Istruzione e della Cultura